Gol O Morgh paintig of contemporary Iran should be considered as the period between Qajar, from the beginning of constitutionalism to the end of the 14th century. Sani al-Mulk and Kamal al-Mulk announced the end of artificial arts, but the bazaar circle in cities like Isfahan survived despite the hardships caused by the bad economy, war and famine. During the Pahlavi period of these families, including Imami, their works of attracted the attention of tourists and western researchers. On the second side, artists such as Hossein Altafi and Issa Alofte took this responsibility so that the market of the paintings would flourish. The purpose of this article is to introduce flower and bird artists in the contemporary period. Therefore, we are looking for answers to these questions:

Which artists transferred the flower and bird painting movement in the first and second Pahlavi period to the period after the revolution and what are the technical and visual characteristics of flower and bird painting after the revolution? Why we can call tufani is "the end of the century" in the painting of flowers and birds? The research method is descriptive and analytical and the method of collecting materials is library and field in the form of interviews using accessible sources of museums and reliable sites. The findings based on the visual analysis of the paintings indicate that after the revolution we are faced with three styles of flower and bird painting, with three painter, Fkharmondfared, Muhammad baqir aqamiri and riza fattahi.